10,614 Free Images of Plate Armour

realism prints by william hogarth in the british museum william hogarth paper british museum illustrations of armour works after adam van breen engravings in the rijksmuseum amsterdam adam van breen catalog

Peter Paul Rubens - Thomas Howard, Earl of Arundel

17th-century portrait paintings in the united states male portraits by peter paul rubens

Justus Sustermans 004

grand duke of tuscany london

John Dalrymple 2nd Earl of Stair (1673-1747) General and Diplomat

lesser george (badge) of the order of the garter in portrait paintings sash of the order of the garter in portrait paintings

Titian - Portrait of Francesco Maria della Rovere, Duke of Urbino - WGA22982

portrait paintings of standing men with left arm down facing right and looking at viewer

James Hamilton, 1st Duke of Hamilton by William Faithorne, published by Sir Robert Peake, after Sir Anthony van Dyck, early 1640s

william faithorne baroque painting

Martyrdom of St Catherine of Alexandria, between 1502 and 1503

prints in the staatliche graphische sammlung münchen master m z

A Harlot's Progress, Plate 4, William Hogarth, 1732

prints by william hogarth in the british museum realism

A Harlot's Progress, Plate 2, William Hogarth, 1732

prints by william hogarth in the british museum realism

A Harlot's Progress, Plate 2, William Hogarth, 1732

prints by william hogarth in the british museum realism

A Harlot's Progress, Plate 6, William Hogarth, 1732

prints by william hogarth in the british museum realism

A Harlot's Progress, Plate 2, William Hogarth, 1732

prints by william hogarth in the british museum realism

A Harlot's Progress, Plate 6, William Hogarth, 1732

prints by william hogarth in the british museum realism

A Harlot's Progress, Plate 2, William Hogarth, 1732

prints by william hogarth in the british museum realism

Miraculous fountain, Manuel Manilla, circa 1890–1910

prints in the metropolitan museum of art manuel alfonso manilla

A Harlot's Progress, Plate 4, William Hogarth, 1732

prints by william hogarth in the british museum realism

A Harlot's Progress, Plate 4, William Hogarth, circa 1732

prints by william hogarth in the british museum realism

A Harlot's Progress, Plate 6, William Hogarth, 1732

prints by william hogarth in the british museum realism

A Harlot's Progress, Plate 6, William Hogarth, 1732

prints by william hogarth in the british museum realism

A Harlot's Progress, Plate 6, William Hogarth, circa 1732

prints by william hogarth in the british museum realism

A Harlot's Progress, Plate 2, William Hogarth, 1732

prints by william hogarth in the british museum realism

A Harlot's Progress, Plate 6, William Hogarth, 1732

prints by william hogarth in the british museum realism

A Harlot's Progress, Plate 2, William Hogarth, 1732

prints by william hogarth in the british museum realism

A Harlot's Progress, Plate 4, William Hogarth, 1732

prints by william hogarth in the british museum realism

A Harlot's Progress, Plate 2, William Hogarth, 1732

prints by william hogarth in the british museum realism

A Harlot's Progress, Plate 6, William Hogarth, 1732

prints by william hogarth in the british museum realism

A Harlot's Progress, Plate 6, William Hogarth, 1732

prints by william hogarth in the british museum realism

A Harlot's Progress, Plate 4, William Hogarth, 1732

prints by william hogarth in the british museum realism

A Harlot's Progress, Plate 4, William Hogarth, 1732

prints by william hogarth in the british museum realism

Paris Opera -1822, 1821

stages in paris 1821

House with painted medallion decorations (3796292162), 1890s

allison v. armour expedition houses in yucatán

Family having dinner, Izamal Yucatan 1899

izamal in the 1890s houses in izamal

Conception "Conxita" Supervia and Pascual, Antoni Esplugas i Puig, between 1910 and 1920

photographs of conchita supervía by antoni esplugas i puig conchita supervía

Coaching days and ways (1900) (20036527393), George Denholm Armour, 1900

coaching days and ways (1900)paintings of coaches

Wooden structure and covered wagon (3795474655)

horse-drawn wagons in the bahamas allison v. armour expedition

Portrait of August III the Saxon (1696-1763), Louis de Silvestre, 1733

portrait paintings by louis de silvestre (polish royalty)paintings in the stadtgeschichtliches museum leipzig

Portrait of Louis-Claude-Hector, duc de Villars (1653-1734), Hyacinthe Rigaud, 1704

baroque painting,baroque nicolas fouquet

057 Conrad Cichorius, Die Reliefs der Traianssäule, Tafel LVII (Ausschnitt 01)

trajan's column - cichorius plates lorica squamata

Portrait of Louis XV (1710-1774), Nicholas Blakey, 1739

jakob christof le blon nicholas blakey

Still Life with Plate, Vase and Flowers, Vincent van Gogh

still life with plate, vase and flowers post-impressionism,expressionism

Statue of Aragon in Perpignan, 1925

photographs by josep salvany i blanch statue de françois arago à perpignan

Monument to Campoamor al Retiro, 1915

photographs of madrid by josep salvany i blanch monument to ramón de campoamor

FamHis062pic, Harold Nelson, 1904

the famous historie of fryer bacon harold nelson

Portrait of Stanisław Leszczyński (1677-1766), King of Poland, Jean-Baptiste van Loo, between 1727 and 1728

portrait paintings of stanislaus i leszczyński jean-baptiste van loo

The Burghers of Calais, Benjamin West, 1789

medieval history paintings by benjamin west neoclassicism,romanticism

Italian jasmine shrub (1843-1846)

illustration plants

Portrait of Francois Christopher de Levy, Balthasar Moncornet, 1656

françois-christophe de lévis-ventadour balthasar moncornet

Wallpaper group-pm-4, Owen Carter Jones, 1856

the grammar of ornament plate 11 wallpaper group pm

Studies of five heads after Rembrandt, Edward Luttrell

drawings in the yale center for british art edward lutterell

Bakket landskab med huse, Henry Nielsen, 1935

prints by henry nielsen (painter) in the statens museum for kunst brush lithography on zinc plate

Stående model set forfra, Henry Nielsen, 1934

prints by henry nielsen (painter) in the statens museum for kunst brush lithography on zinc plate

Jean-Baptiste Tilliard Kamtchadal dans son Habit d'Eté, Jean-Baptiste Le Prince, circa 1768

jean-baptiste le prince jean-baptiste tilliard

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strawberry fruits

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i like you tree

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n108_w1150

n164_w1150

n174_w1150

n88_w1150

n148_w1150

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golden glow delphinium

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"Portrait of Henri-Jacques Nompar de Caumont, Duke of La Force in armor (1675-1726).", François de Troy

male portrait paintings by françois de troy henri-jacques de caumont, duc de la force

Prince William Henry, Duke of Gloucester, KG (1679-1700), Godfrey Kneller, circa 1700

male portrait paintings by godfrey kneller prince william, duke of gloucester

Baldomer Gili Roig. Model - 8554452110, Baldomer Gili i Roig

glass plate photographs of models by baldomer gili i roig nude recumbent women

History of the manufacture of armor plate for the United States navy (1899) (14802104653), 1899

history of the manufacture of armor plate for the united states navy (1899)uss olympia (c-6)

Louis, Dauphin of France, Jean-Marc Nattier, circa 1747

objets monuments historiques in loir-et-cher (secular paintings)rococo

Portrait of Louis Jean Marie de Bourbon, Duke of Penthièvre (1725-1793), Jean-Baptiste Charpentier the Elder, between 1750 and 1800

louis jean marie de bourbon, duke of penthièvre jean-baptiste charpentier le vieux

Portrait of Charles II of Styria., Marcello Bacciarelli, between 1768 and 1771

charles ii, archduke of austria baroque,classicism

[Mme de Lesseps] / Ch. Reutlinger, published 1880

louise-hélène autard de bragard charles reutlinger

A Scene at Abbotsford, Edwin Landseer, 1827

paintings by edwin landseer in tate britain romanticism

Portrait of William I of Nassau, Antonis Mor, 1555

william of orange in armour (anthonis mor)high renaissance

Finoglio jerusalem 1, Paolo Domenico Finoglia, between 1640 and 1645

palazzo acquaviva (conversano)paolo domenico finoglia

Tsar Paul I visiting Tadeusz Kościuszko in prison., Thomas Gaugain, 1801

prints by aleksander orłowski thomas gaugain

Maurice of Nassau, Prince of Orange by Gerard Valck, after Adriaen van der Werff

gerard valck baroque

Hogarth-Harlot-1-2, William Hogarth

a harlot's progress, plate 1 realism

Wallpaper group-p1-3, Owen Carter Jones

wallpaper group examples from the grammar of ornament the grammar of ornament plate 68

Hetman Stanisław Jan Jabłonowski by Piotr Michalowski, Piotr Michałowski

stanisław jan jabłonowski (1634-1702)romanticism

De exercitie met schild en spies de soldaat houdt spies en schild dicht bij het lichaam (nr. 15), 1618 De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe beyde figuerlick afgebeelt, ende gestelt na de, BI-B-FM-004-15, Adam van Breen, between 1616 and 1618

works after adam van breen illustrations of armour

De exercitie met schild en spies de soldaat trekt zijn rapier van achter zijn schild (nr. 18), BI-B-FM-003-12, Adam van Breen, between 1616 and 1618

works after adam van breen illustrations of armour

De exercitie met de targe en rapier vijf soldaten staande naast elkaar in het gelid met de targe en rapier voor de borst, (nr. 14), 1618 De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe beyde figuer, BI-B-FM-004-46, Adam van Breen, between 1616 and 1618

works after adam van breen illustrations of armour

De exercitie met schild en spies de soldaat presenteert zijn rapier met de hand niet hoger dan zijn gezicht (nr. 19), 1618 De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe beyde figuerlick afgebeelt, BI-B-FM-004-19, Adam van Breen, between 1616 and 1618

works after adam van breen illustrations of armour

De exercitie met de targe en rapier de soldaat houdt de targe vast met de rechterhand en grijpt met de linkerhand de riem (nr. 3), BI-B-FM-003-23, Adam van Breen, between 1616 and 1618

works after adam van breen illustrations of armour

De exercitie met schild en spies de soldaat brengt in drie tijden de spies weer terug in de rustpositie, eerste beweging (nr. 10), 1618 De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe beyde figuerl, BI-B-FM-004-10, Adam van Breen, between 1616 and 1618

works after adam van breen illustrations of armour

De exercitie met schild en spies de soldaat brengt in twee tijden de spies in positie om te slepen, tweede beweging (nr. 14), BI-B-FM-003-8, Adam van Breen, between 1616 and 1618

works after adam van breen illustrations of armour

De exercitie met schild en spies de soldaat legt de spies naast zijn rechtervoet op de grond (nr. 16), 1618 De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe beyde figuerlick afgebeelt, ende gestelt , BI-B-FM-004-16, Adam van Breen, between 1616 and 1618

works after adam van breen illustrations of armour

De exercitie met schild en spies de soldaat brengt het schild bij het marcheren van de rug vóór het lichaam (nr. 5), 1618 De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe beyde figuerlick afgebeelt,, BI-B-FM-004-5, Adam van Breen, between 1616 and 1618

works after adam van breen illustrations of armour

De exercitie met de targe en rapier de soldaat hangt de targe terug op zijn rug, (nr. 13), 1618 De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe beyde figuerlick afgebeelt, ende gestelt na de nieu o, BI-B-FM-004-45, Adam van Breen, between 1616 and 1618

works after adam van breen illustrations of armour

De exercitie met schild en spies de soldaat houdt spies en schild dicht bij het lichaam (nr. 15), BI-B-FM-003-9, Adam van Breen, between 1616 and 1618

works after adam van breen illustrations of armour

De exercitie met schild en spies de soldaat brengt in drie tijden de spies weer terug in de rustpositie, tweede beweging (nr. 11), 1618 De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe beyde figuerl, BI-B-FM-004-11, Adam van Breen, between 1616 and 1618

works after adam van breen illustrations of armour

De exercitie met schild en spies de soldaat bukt om de spies op te rapen (nr. 28), BI-B-FM-003-20, Adam van Breen, between 1616 and 1618

works after adam van breen illustrations of armour

De exercitie met de targe en rapier de soldaat houdt de targe voor de borst en de getrokken rapier tegen de linkerschouder (nr. 6), 1618 De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe beyde figuer, BI-B-FM-004-38, Adam van Breen, between 1616 and 1618

works after adam van breen illustrations of armour

De exercitie met schild en spies de soldaat in een verdedigende houding met een voet naar voren en met zijn rapier en schild op de knie voor het lichaam (nr. 21), BI-B-FM-003-14, Adam van Breen, between 1616 and 1618

works after adam van breen illustrations of armour

De exercitie met schild en spies de soldaat met de spies schuin in beide handen met de rechterhand bij het hoofd en het schild op de rug (nr. 3), BI-B-FM-003-2, Adam van Breen, between 1616 and 1618

works after adam van breen illustrations of armour

De exercitie met schild en spies de soldaat met de spies schuin in beide handen en het schild op de rug (nr. 2), BI-B-FM-003-1, Adam van Breen, between 1616 and 1618

works after adam van breen illustrations of armour

De exercitie met schild en spies de soldaat houdt het schild met de linkerhand vóór het lichaam (nr. 6), 1618 De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe beyde figuerlick afgebeelt, ende gestel, BI-B-FM-004-6, Adam van Breen, between 1616 and 1618

works after adam van breen illustrations of armour

De exercitie met de targe en rapier de soldaat houdt de getrokken rapier niet hoger dan zijn gezicht (nr. 5), 1618 De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe beyde figuerlick afgebeelt, ende g, BI-B-FM-004-37, Adam van Breen, between 1616 and 1618

works after adam van breen illustrations of armour

De exercitie met schild en spies de soldaat met de spies schuin in beide handen en het schild op de rug (nr. 2), 1618 De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe beyde figuerlick afgebeelt, end, BI-B-FM-004-2, Adam van Breen, between 1616 and 1618

works after adam van breen illustrations of armour

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